An innate, unmediated, innocent lust
Daniel Yadin on romantasy
Times are hard, much like the appendages of the sundry fantastical love interests whose conquest of American publishing Daniel Yadin analyzes in his Issue Sixteen essay on the “romantasy” phenomenon. But sex is not the only appeal of these novels, Yadin argues. With an overriding sense of fate sweeping their trope-laden plots along, romantasy books allow readers to imagine the guiding hand of destiny in their own experiences of powerlessness. In Yadin’s own hands, the genre holds up a mirror to the quest for agency in the midst of the inscrutable — and tragically unsexy — forces that buffet us in the real world. Read the essay online today.
Escape Artists | Romantasy at the End of the World
DANIEL YADIN
The women’s names glow like eyes in the dark, staring out at us from the ruins of myth. Feyre Archeron, Celaena Sardothien, Violet Sorrengail, Galadriel Higgins, Phèdre nó Delaunay. Penellaphe “Poppy” Da’Neer, née Balfour, of Castle Teerman. Oraya, plain and simple, like Rihanna or Madonna. These are heroic appellations drawing on a range of Irish, French, Norse, Welsh, Latin, Arthurian, Hellenic, Hebraic, and American influences, all vaguely sounding, with their air of parody and pastiche, like the kind of name a gay man would make up for a woman.
